3D Optical Illusion Painted On Street To Make Drivers Slow Down



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“Marking the back to school term, Preventable together with BCAA Traffic Safety Foundation and the District of West Vancouver have launched an optical illusion geared to making drivers slow down at high-risk intersections.

The optical illusion of an illustrated girl chasing a ball has been placed on the road northbound at 22nd street in West Vancouver. There are signs leading up to it saying “you’re probably not expecting kids to run out on the road” to prepare drivers. The installation is meant to draw attention to the risk of children running into the street and was carefully tested before being put in place. It is in place for a few days only and is being monitored as a pilot to ensure pedestrian and driver safety are not risked. The illusion rises up gradually from about 100 feet away as not to surprise drivers, and it fades away by the time a driver approaches.

For more details on how we’re shifting attitudes and raising awareness about preventable injuries, visit http://www.preventable.ca

From the organizers:

* Preventable, BCAA Traffic Safety Foundation, and the District of West Vancouver launched this pilot project as a back to school initiative to raise awareness about more kids on the streets this fall and drivers’ awareness in school zones during the critically important first week of back to school. This project will exist for one week only to capture drivers’ and pedestrians’ attention.

* We started in April 2010 with careful consideration and planning that included discussions with the District of West Vancouver, parents, the school board, engineers, and police.

* The District of West Vancouver engineers have done a full risk assessment of this initiative and are supportive of the concept and its implementation. Their helpful and professional advice led to additional safety measures including additional static and dynamic signage in advance of the image and a police presence. On-site monitoring of motorist behaviour has since confirmed that there has been absolutely no evidence of abrupt stopping or swerving by motorists. The police, traffic engineers, parents, and Preventable have been monitoring, and will continue to monitor, traffic around this 3D illusion.

* The 2D decal gradually appears 3D to drivers approaching the image. A risk assessment of this project shows that drivers do not mistake this image for a real girl and can see the image 100 feet away. The image does not “jump-out” at drivers and there is no “startling effect”, the road conditions on 22nd Street are very good for this project, which is precisely why this location was selected. Sight lines are perfect northbound along the road and to the cross streets. Although the community continuously grapples with unsafe driving behaviours in this particular school zone, twenty-second (22nd) Street in West Vancouver has a very good vehicle crash record. The number of crashes since 1996 (the earliest year for which we have records) is insignificant. This is was also an important criteria in choosing the site as the best location for the project.

* Preceding the illusion are clearly marked school zones signs (30 KM maximum speed limit), a cross walk, traffic calming curb extensions in advance of the illusion, and a Preventable signs that read, “You’re probably not expecting kids to run out on the road.” There is also a STOP sign at the end of the block. All these factors mean that motorists are slowing in anticipation of stopping regardless of the 3D illusion.

* A public awareness program was started in advance of implementation of this project to inform drivers and the general public of the image.

(via Laughing Squid)

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Attended Journey to the Pole of Cold and other Events recently



Last night I attended the opening of Journey to the Pole of Cold opening at Kris Waldherr’s gallery curated by Thomas Ross Miller.

While I took some photos I like the one’s that Diane Saarinen took better (I’m not a good photographer) but I do like openings and this one was hot.

Photos by Diane Saarinen:

Yakutia's Road of Bones Photo Exhibition in New York. Photo by Diane Saarinen.

Yakutia's Road of Bones Photo Exhibition in New York. Photo by Diane Saarinen.

Yakutia's Road of Bones Photo Exhibition in New York. Photo by Diane Saarinen.

I arrived after these photos were taken but was the last guest to leave the opening and I found the idea that a road could be built under the conditions that were shown in the show almost unbelievable.

Exhibition description

“Journey to the Pole of Cold in “On the Road of Bones: Ghosts of the Siberian Gulag Along the Old Kolyma Highway,” an exhibition at Kris Waldherr Art and Words studio gallery in Brooklyn. Through photography and mixed media, “On the Roadof Bones” reveals the secret history and hidden landscape of Kolyma, formerly the land of Soviet labor camps and the coldest inhabited region on earth. Stunning new works by young native Siberian photographers Bolot Bochkarev, Nastya Borisova, and Ajar Varlamov trace the remains of the vast highway built across the taiga, tundra, and permafrost of North Asia by Stalin’s prisoners. The exhibition juxtaposes the tragic events of the past with the powerful natural beauty of the frozen land and the daily lives of north

The show was done very well, totally professionally, and even though the gallery is sorta out of the way (take the D train to Newkirk Avenue in Brooklyn, gallery is right around the corner literally) it’s worth the trek – and it’s not nearly as far to go as Siberia (which is farther than I’d want to go).

I’ll have several more updates to ArtNewYorkCity.com shortly – I’ve been negligent in my Art Postings – I’ll try to make up for it with a lot more content – I go to so many openings but often when I get home, I’m too toasted to really write anything – and I’m one of the those writers that tends to want to write my ideas and impressions down immediately, or not at all.

I guess that’s going to have to change.

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“Russia takes the lead in regulating…”



That heading would be funny in any context but here the article in Skate’s is referring to an apparent push to regulate “Art securitization” and Art Investments in Russia.   We have for some time, on ArtWorld Salon, commented on the relative lack of oversight of the opaque and enthusiastically “managed” …

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Fresh Stuff From Filthy Luker in Ecuador

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“The photos above are from my recent visit to Ecuador alongside D* Face and Liniya the graffiti girl from Columbia. D* and I both felt honoured to be the first European artists to be invited over to ‘make a mess’ at the 9th street art festival in Quito, put on by Dinamo Events. We had a good time and made a splash. the photos are evidence.”…
filthy luker

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Fresh Stuff From Filthy Luker in Ecuador

octopied-building-quito-201.jpg

direct-hit-Quito-sz.jpg

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“The photos above are from my recent visit to Ecuador alongside D* Face and Liniya the graffiti girl from Columbia. D* and I both felt honoured to be the first European artists to be invited over to ‘make a mess’ at the 9th street art festival in Quito, put on by Dinamo Events. We had a good time and made a splash. the photos are evidence.”…
filthy luker

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One Not To Miss: Dan Bergeron at Show And Tell in Toronto

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As street art moves from the street into the galleries, the challenge the artist faces is how to “transfer” the aesthetic and impact that their work has on the street onto a canvas and into the galleries.

We love the approach that the Toronto based artist Dan Bergeron has taken with Face of the City, his first commercial gallery exhibition which opens tonight at Show & Tell.

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Seen On The Streets Of Hobart, Australia

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“Inspired by John Fekner’s critiques of urban decay and borrowing from the technique of Andy Uprock these installations draw attention to the empty industrial spaces littering even picturesque little cities like Hobart, Australia. The idea was simply to draw attention to the spaces which stand neglected rather than to beautify them.”…. Tabasco

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Artoon

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Fresh Stuff From Fintan Magee In Brisbane, Australia

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“Growing up as a first generation Australian with parents from Northern Ireland meant that I would watch the violence between nationalist and loyalist factions in the region from a distance. This work is heavily influenced by the large Militant Murals painted by the IRA and UFF which make up my first memories of public art from my childhood. The painting explores how ancient mythology, religion, land and folklore helped create pride amongst Irish-catholic communities when faced with poverty, conflict and gentrification. The piece aims to evoke a sense of loss, hope and renewal while highlighting the absurdities of war.”… Fintan Magee

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Dabs and Myla – An Introduction

DABS + MYLA from Neue Films on Vimeo.

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