“9 guys, 350 cans, 7 days of work. pain tone boier kome chylo proembrion sainer bezt pener with association “Stumilowy Las”
More here.
by on July 29, 2009 in Wooster Collective
“9 guys, 350 cans, 7 days of work. pain tone boier kome chylo proembrion sainer bezt pener with association “Stumilowy Las”
More here.
by on July 29, 2009 in Wooster Collective
From Nicola:
“Faber and the old town (Fabrizio De Andrè 1940-1999) was a day of music, dance and art in a neighborhood of the historical center of Genoa, the old Jewish ghetto, a place where nowaday immigrants, prostitutes, victims of slave trade, transsexuals, pushers and drug consumers live and work. The bet was to involve the most citizens, tourists, people of every race and colour, as possible to pull down, at least for a day, all the prejudices and for starting a process of tolerance and cohabitation. I was involved by a friend to be part of the event (organized by Comunità di San Benedetto al Porto, Comune di Genova, Fondazione De Andrè e Radio Popolare) and I realized a series of mixed technique panels for a street art installation.
Photographer:Astrid Fornetti.
by on July 29, 2009 in Wooster Collective
by on July 29, 2009 in Wooster Collective
by on July 29, 2009 in Wooster Collective
From Jetro
“These are some pictures from San Quintin, Baja California Mexico. Its 6 hours to the south from Tijuana. In this territory, there’s an interesting identity phenomenon because of the increasing indigen population that came from Mexico’s southern states (especially Oaxaca) to work for the agriculture industry. All of the young people and the new generations are in a high vulnerability state of identity because they re not keeping their parents traditions and they don’t relate with the non-indigen people. At the same time they feel ashamed because of their origins. These youth are waiting and looking for new symbols and elements to fulfill a new identity path or a new ideal icons to bring out a sense of pride inside their culture. With the spectatives of an interesting hybrid result, I really believe that this is an opportunity to intervene and give positive signs and provocative symbols in public spaces.’
by on July 29, 2009 in Art News Blog
I’m in Sydney for a few days as a family member was passing through town and needed a place to stay. The problem was that he may have swine flu or at least a bad case of regular flu. Either way, I wasn’t hanging around to catch any flu! So it was a great excuse to jump in the car and drive.
Today I went to the Art Gallery of NSW in Sydney to see Intensely Dutch, which looks at Dutch artists after world war 2, including artists from the CoBrA movement. Artists include Karel Appel, Gerrit Benner, Bram Bogart, Constant, Corneille, Edgar Fernhout, Willem de Kooning, Theo Kuijpers, Lucebert, Jaap Nanninga, Wim Oepts, Jan Riske, Jan J Schoonhoven, Bram van Velde, and Jaap Wagemaker.

Karel Appel
Ontmoeting (Encounter) 1951
oil on canvas, 130 x 97.5 cm
Collection: Netherlands Institute for Cultural Heritage (on loan to Centraal Museum,
Utrecht) © Karel Appel Foundation/Van Lennep Producties, Amsterdam
It was a smallish exhibition, but one that got me excited. I had just walked around the whole Art Gallery of NSW and was seriously bored (apart from a few favorite paintings that I have seen countless times). It was Intensely Dutch that got me wagging my art tail and I was probably dribbling in front of a few of the works too.
I love line, paint, texture, and childlike abandon in painting.. and this exhibition has them all. I didn’t take my camera with me and the art catalog had sold out, so I can’t show some of the works that I liked most. While Karel Appel has never been on my top ten list of painters, I would give up my car and widescreen TV to own a few of his drawings!

Lucebert
Dierentemmer (Animal tamer) 1959
oil on canvas, 88 x 128.5 cm
Stedelijk Museum, Schiedam © the estate of the artist
If you’re a lover of paint you’ll love Intensely Dutch. If I had to complain about something I would say that it needed 50 more works hanging! Oh, and running out of catalogs is no way to run a business. It’s on until the 23rd of August in Sydney at the AGNSW.
by on July 28, 2009 in Interactive Architecture
I wanted to go and check out the (recent) Architecture Association Summer Show and upload lots of images to encourage Londoners reading this blog to go check it out. That’s what I wanted to do. But then I didn’t manage to make it over until the last day. My inability to make it over earlier [...]
by on July 28, 2009 in Wooster Collective

The latest artist to be interviewed by Zak Smith on The Rumpus is Anthony Lister. Here’s an excerpt:
Zak Smith: Can you grab one or two of your paintings and describe the situation that inspired it?
Anthony Lister: This piece, titled HOLY MOLY (mixed media on canvas, painted 2008), is based on a story about Britney Spears’ sister having a baby. I initially painted a picture of a pretty young woman with a baby spitting lottery balls out of its vagina as if to suggest that children are a metaphor for the Holy Grail. It is a painting about fertility, miss-guided youth and predators within social networks and in the media.
You can read the full interview here.
by on July 28, 2009 in Art Of The State Blog
Ronald McDonald has made an appearance outside the Banksy Versus Bristol Museum show. Sitting precariously on a ledge next to a whisky bottle high up above the front entrance he looks far from the official line of ‘Chief Happiness Officer’ for the company.

And if you want a chance of getting the ‘Donuts’ print by Banksy then 12 noon today (London time) is the last time you can register your interest on picturesonwalls.com

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