Alias Arts

Artist Statement (nicked from Kacie’s terrific site)

“In New York, we are very occupied with getting from one place to another. I wondered: could a human-like object traverse sidewalks and streets along with us, and in so doing, create a narrative about our relationship to space and our willingness to interact with what we find in it? More importantly, how could our actions be seen within a larger context of human connection that emerges from the complexity of the city itself? To answer these questions, I built robots.

Tweenbots are human-dependent robots that navigate the city with the help of pedestrians they encounter. Rolling at a constant speed, in a straight line, Tweenbots have a destination displayed on a flag, and rely on people they meet to read this flag and to aim them in the right direction to reach their goal.

Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.

The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”

The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining its destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.”

We have no idea what he’s saying (as we don’t understand Portuguese) but one thing is undeniable – Nunca’s style is gorgeous.

(Video nicked from the blog, Out Of Rules)

“I been doing some transparent stencil work with junk I find in the streets, I got the idea when looking into my reflection in a canal jammed full of garbage, it was quite beautiful to see myself through all the various plastic colors and products that come through me and my use, it may be high time we did some practical looking at what kind of beauty we represent and how it reflects on ourselves, true monuments are out floating somewhere in ambiguity, urban definitions are easy to use and throw away. The street reflects inevitably the land and those who can’t get over its use and responsibility, man that canal stinks!!”… Ryan

For many years we’ve been fascinated by Pixação. There’s an energy in the tags that’s undeniable and, for us, extremely powerful.

But to be honest, we’ve never fully understood the nuances of Pixação and in some ways become comfortable with it.

And then today we came across a terrific video from Cool Hunting that in some ways is a “Pixação 101″

There’s a great line in the video that for us, struck a strong chord:

“I would rather you hate me than ignore me”